Wednesday, August 7, 2019

Star tilings

In making maze books, I used a number of tiling patterns that featured stars of various kinds. Over the past month I gathered them, corrected them where necessary, and filled in some obvious gaps when I looked at what I had, and then issued the results as a two font family, IngyStarTilings. It is available on

Here are a few examples of what kinds of patterns it can produce. (Note, most of the patterns require two characters.)
 Above, an eleven-pointed star and an eight pointed star. Below four-pointed stars and three-pointed stars.

Stars do not tessellate so I could not use these patterns in my various tessellation patterns.

A complete listing of the patterns I could make with the typeface is at

(Two other typefaces that feature stars are XStellaStern and XStarsAndStripes.)

Tuesday, June 4, 2019

More fun with coloring fonts

I have recently added more color options for several typefaces sold on Tuskcandy and HippityDippity have inline or outlined styles, and now the outside ring, the middle ring, and the inside letter can all be set in different colors.
 WyomingSpaghetti-Bold added a thin outline style that was created for use in layers.

AccruedInterest is a sloppy, outlined font. The middle now can be used alone or in layers with the original.
A couple of added characters give more options for TOCinRings. Below a blank red disk has been placed behind the lettering and a black ring has been placed above the letters. The effect can be obtained with layers or using keys that have zero width. A pdf file that can be accessed from the description on myfonts explains both ways.

Karlisbad has grown from a single-font family to a family of three with two variants that have the lines removed. Below the regular variant is used to create text where the letters and the lines have different colors. The extra light variant is given the same color as the background and the result is hollow lettering, a reading-between-the-lines font.

Tuesday, May 21, 2019

More shadow separations

I have added shadow-inside styles to more typefaces on The separate inside style makes it very easy, using layers, to create more colorful lettering. Here are recent additions.
Links to myfonts are Smokehaus, OakPark, Anarchhie, WyomingPastad, WyomingMacroni, LineDrive, Rundigsburg, and Kneebls.

Monday, April 22, 2019

A few more updates

In the past few months I have been posting about upgrades to typefaces on Here are five that I have not yet mentioned.

I added outline styles to two typeface families, Letrinth and ValGal. They can be used alone or in layers, as illustrated below.

A few month ago I added an upright version to FeggoliteHatched and recently added thin and bold styles. (The plain style is in the middle)
I wanted to allow the various decorated styles of the FiveOh family to be used in layers over the undecorated or plain version. I originally had the plain style and one of the decorated styles on one font (using the upper-case letters for one and the lower-case letters for the second). I moved the decorated letters to a new face and then finished it by completing another set of decorated letters that I had begun years ago but had not completed. Below are FiveOhTwo and FiveOhThree alone (on left) and layered atop FiveOhOne (right).
In reworking the various styles of Glitzy to allow them to more easily be used in layers, I made changes to some of the characters but did not add any new family members.

Thursday, April 11, 2019

Adding layers

In the past few months I have updated several typeface on by breaking apart shadowed and inline styles. With the parts separated into different faces, it is easy to create colorful lettering using layers. Below are examples of two-colored lettering for shadowed versions of LetunicalNewNerdish, and Phraxtured.  The results are shown over both white and gray backgrounds.
 Inline styles can be separated into three components: the inside, the middle ring, and the outside ring. Below are two fonts, Letunical-Inline and WurstHassen, that been decomposed, showing how the different components can be combined to produce two or three-colored lettering.
When I began breaking the inline faces into their parts, I made three separate typefaces of parts. (See LifeAfterCollege, for example.) Then I realized that I needed only two of the parts because the original typeface could serve as the base.

Because printing and displaying a font converts the mathematical outlines to a matrix of dots and those dots will not exactly match the outline, the order in which the layers are placed will affect how the end result appears. For example, here is Letunical with the a black middle ring in the top, middle, and bottom layer.

In the past week or two Myfonts has changed the way that fonts are displayed for purchasers. The changes are designed to give buyers easier access to the information that is most useful to them. The new display no longer has a "gallery" tab that displays whatever images the font designer uploaded. The only images that a buyer will now see are those that qualify as posters, images in png format at least 1440 pixels wide and twice as wide as tall. The gallery still exists and I have a number of documents there, mostly pdf files, that have special instructions. I think I have been able to link to all of them from the font descriptions.

Also discontinued are the images that Myfonts started with, square font flags that originally were 200 by 200 pixels. They may still be used on their old test site.

Sunday, March 31, 2019

More updating

Earlier this year I updated a number of typefaces on

I realized that by adding just a few characters, I could increase the color possibilities of fonts which have letters on things. Below are examples for CoffeeMug, FeggoliteKeyed, JetJaneButton, NewLibrary, and Teapot.
These results can be obtained either by using layers of by multiple keys using characters with zero width. 

In several other revisions I added additional faces that must be used in layers. For the typeface Brrrrr the snow was isolated. Below the regular Brrrrr typeface is placed on a dark dark blue background and then the isolated snow style is colored white and layered above the base layer. 

Two new styles were added to the MedicineShelf font, a style that has only the outline of the bottles and a solid bottle style. Below the solid style is the bottom layer, the regular MedicineShelf style is the next layer, and the final layer is the outline of the bottles. 

Two new styles were added to the whimsical Concavex typeface, an outline and a style that has the interior of that outline. When I finished I realized that I needed only the outline and original styles to get any of the effects that I wanted.

The shadow of the PhederFrack-Shadowed has been separated out and when used in a layer, can give the shadow a different color than the letter.

The Salloon family had a number of additions and changes. There are three new styles that contain interior decorations that can be layered over SalloonWide and Salloon. Salloon has an outline style, and the various filled members of the family were altered so that they could be layered over the regular version of Salloon for additional coloring. 

Wednesday, January 30, 2019

Something new, something old

Several font families from IngrimayneType have recently been added to

Bouncer was the first typeface I designed. The original was a bitmapped font done with a shareware or freeware program in 1988 or 1989 and it was later redone as a type 3 PostScript font. It has a simple design: bits of a circle are removed to make the letters of the alphabet. Lower-case letters are smaller versions of the upper-case letters.
As I was reviving this old font, I decided to play with the circle theme a bit more. BouncerTwo is based on interlocking circles with bits cut out to make the letters. It is visually striking but quite hard to read.

When searching for some family history in an 90-year-old college student newspaper, I was struck by the lettering of the title. Examining it closely, I realized it was hand drawn. I thought it was be an interesting challenge to complete the alphabet based on the three upper-case and nine lower-case letters. SJURecord is the result.
In the mid 1990s the makers of Fontographer gave it the capability to blend two typefaces if the points defining it lined up correctly. I played with that capability to produce several hybrid fonts. One was a blend of RoundUp and WyomingSpaghetti. Until this year I had not submitted it to It there now, RoundWhy, in two weights.